Pixel Symphony

​I make algorithmic abstraction with clear geometry, measured color, and a sustained sense of rhythm. The work is a long conversation between form and feeling. It keeps faith with the history of geometric art and systems thinking while staying alert to perception and psychology. Patterns recur not as ornament but as a way to show how complexity grows from simple rules. The line is the basic unit in most pieces. Even my color fields are built from line behavior, density, and interval so they read clearly up close and at a distance.

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The art sits inside a lineage of geometric abstraction, information aesthetics, and systems art. I study how circles, grids, and proportional structures carry meaning. Sacred geometry appears at times as a scaffold for looking rather than a doctrine, linking microcosm and macrocosm through circles, dots, and repeating patterns. Color ranges from strict monochrome to restrained gradients when the work calls for transition or stillness. Monochrome clarifies structure; gradients trace metamorphosis. The aim is to join mathematical clarity with psychological depth without forcing either.

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